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• Sales Rank: #5704718 in Books
• Published on: 2011
• Binding: Hardcover
• 296 pages

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• Published on: 1600
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For fifty years the truth about the assassination of President John F. Kennedy has been obscured. This book releases us from a crippling distortion of American history.

At 1:00 p.m. on November 22, 1963, President John F. Kennedy was pronounced dead, the victim of a sniper attack during his motorcade through Dallas. That may be the only fact generally agreed upon in the vast literature spawned by the assassination. National polls reveal that an overwhelming majority of Americans (75%) believe that there was a high-level conspiracy behind Lee Harvey Oswald. Many even believe that Oswald was entirely innocent. In this continuously absorbing, powerful, ground-breaking book, Vincent Bugliosi shows how we have come to believe such lies about an event that changed the course of history.



The brilliant prosecutor of Charles Manson and the man who forged an iron-clad case of circumstantial guilt around O. J. Simpson in his best-selling Outrage Bugliosi is perhaps the only man in America capable of writing the definitive book on the Kennedy assassination. This is an achievement that has for years seemed beyond reach. No one imagined that such a book would ever be written: a single volume that once and for all resolves, beyond any reasonable doubt, every lingering question as to what happened in Dallas and who was responsible.



There have been hundreds of books about the assassination, but there has never been a book that covers the entire case, including addressing every piece of evidence and each and every conspiracy theory, and the facts, or alleged facts, on which they are based. In this monumental work, the author has raised scholarship on the assassination to a new and final level, one that far surpasses all other books on the subject. It adds resonance, depth, and closure to the admirable work of the Warren Commission.



Reclaiming History is a narrative compendium of fact, forensic evidence, reexamination of key witnesses, and common sense. Every detail and nuance is accounted for, every conspiracy theory revealed as a fraud on the American public. Bugliosi's irresistible logic, command of the evidence, and ability to draw startling inferences shed fresh light on this American nightmare. At last it all makes sense.

• Sales Rank: #61817 in eBooks
• Published on: 2007-05-17
• Released on: 2007-05-17
• Format: Kindle eBook

From Publishers Weekly
Bugliosi, best known as Charles Manson's prosecutor, spent more than 20 years writing this defense of the Warren Commission's conclusion that Lee Harvey Oswald acted alone in the slaying of President Kennedy, but his obsession has produced a massive tome that's likely to overwhelm most readers. At times, the author seems determined to present every detail his researches revealed, even if it doesn't add to the overall picture (like a footnote on Elvis sightings). Further, while Bugliosi says even serious conspiracy theorists don't claim the FBI or Secret Service were involved, he devotes chapters to each. The book's structure—it's organized by subject, such as theories about the role of the FBI, the KGB or anti-Castro Cubans—leads to needless repetition, and, for an author who excoriates conspiracy theorists, charging them with carelessness and making wild accusations, Bugliosi is not always temperate in his language; for example, twice he makes the nonsensical claim that some Warren Commission critics "were screaming the word conspiracy before the fatal bullet had come to rest." His decision to devote twice as many pages to critiquing Oliver Stone's movie JFK as to his chapter on organized crime (identified by the chief counsel of the House Select Committee on Assassination as the likely conspirators) is a curious one, as is the choice to open the book with a dramatic re-creation of events surrounding the assassination rather than a straightforward chronology of the relevant facts. Moreover, Bugliosi does not always probe whether individuals who are the sole source for certain facts (for example, Oswald's widow, Marina) had any motive to lie. Bugliosi's voluminous endnotes are on an accompanying CD. Gerald Posner's 1993 Case Closed made most of the same points in a much more concise way. 32 pages of illus. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
This weighty book (its pages number sixteen hundred and twelve) claims to be the final word on the assassination of President Kennedy. It is as if Bugliosi, who prosecuted the Manson murders, intended to overwhelm with sheer, footnoted bulk. But in the way that others have "proved" conspiracies, Bugliosi "proves" yet again the guilt of Lee Harvey Oswald. He does this by reëxamining familiar evidence but also by dismissing preposterous theories, such as one that J. Edgar Hoover masterminded the murder to keep his job. Bugliosi steps less certainly in considering the work of the House Select Committee on Assassinations, which, in 1978, concluded that J.F.K. was "probably" killed as the result of a plot. Citing a National Research Council study, Bugliosi brushes aside the committee’s acoustic evidence suggesting that four shots were fired in Dallas (a fourth shot would confirm a second gunman); he is uncomfortable with a subsequent analysis, by the British Forensic Science Society, which challenged the N.R.C. opinion. Mysteries are like that"
Copyright © 2007 Click here to subscribe to The New Yorker

From Bookmarks Magazine
In Reclaiming History, former Los Angeles prosecutor Vincent Bugliosi (he wrote the best-selling Helter Skelter after putting Charles Manson behind bars) identifies and dismantles the conspiracy theories that still abound in discussions of the Kennedy assassination. At more than 1,600 pages, and accompanied by a CD containing some 1,100 pages of notes, Bugliosi aspires to bludgeon naysayers into submission. Critics, after an obligatory remark on the book's astounding length, generally concede that the author's exhaustive efforts have paid off, making this weighty tome the encyclopedic source for readers interested in reliving the events of November 1963. In the words of J. Michael Parker, though, "How many people are going to pay $50 . . . knowing that [the book] will take them back to the Warren Commission's original conclusion?"
Copyright © 2004 Phillips & Nelson Media, Inc.

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1 of 1 people found the following review helpful.
It is HUGE and probably too much for most readers but the research is outstanding and the writing quite good. Any lingering idea
By Gunar Zagars
The ultimate JFK murder book. It is HUGE and probably too much for most readers but the research is outstanding and the writing quite good. Any lingering ideas of a conspiracy in this assassination are completely dispelled. Nevertheless, I still recommend Posner's book (Case Closed) as the best for a beginner - it is much shorter and perhaps a little more lively in style. Both books reach the same conclusion: Oswald was a lone assassin.

0 of 0 people found the following review helpful.
The abridged Audio CD is a good listen also
By AMAZON shop addict
The "bible" of the Kennedy Assassination. Fascinating arguments and thorough investigation of the events leading up to and after November 22, 1963. Covers and debunks all the conspiracy nonsense. 1600 pages .....Extensive and Entertaining. Biases are explained. Leaves NO ROOM for silly scenarios that have no grounds. Once and for all time.....John F Kennedy was murdered by a crazed, delusional, self-important nobody; a LONE GUNMAN. Vincent Bugliosi, thank you for leaving us with this masterpiece before you left us. The abridged Audio CD is a good listen also.

3 of 3 people found the following review helpful.
Best assassination book
By Julie Ann
Best book written about the JFK Assassination written to date. Vincent Bugliosi is a legal genius.

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This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book.

 

 

This award-winning text treats family diversity as the norm, while highlighting how race, class, gender, and sexuality produce varieties of familial relationships.

 

Diversity in Families looks at families not as “building blocks of societies” but rather, as products of social forces within society. The authors undertake a critical examination of society, asking questions such as, “How do families really work?” and “Who benefits under the existing arrangements, and who does not?” Their goal is to demystify and demythologize the family by exposing existing myths, stereotypes, and dogmas.

• Sales Rank: #1914932 in eBooks
• Published on: 2015-05-18
• Released on: 2015-05-18
• Format: Kindle eBook

About the Author
D. Stanley Eitzen (Ph.D., University of Kansas, 1968) is professor emeritus in sociology from Colorado State University. He is author or co-author of seventeen books, many of which are in multiple editions. His books that fit with this book are: SOCIAL PROBLEMS, Eighth Edition, (Allyn and Bacon, 2000); SOLUTIONS TO SOCIAL PROBLEMS: LESSONS FROM OTHER SOCIETIES, Second Edition., (Allyn and Bacon, 2001); PATHS TO HOMELESSNESS: EXTREME POVERTY AND THE URBAN HOUSING CRISIS (Westview, 1994); and THE RESHAPING OF AMERICA (Prentice-Hall, 1989). His major research interests are social problems, social inequality (race/class/gender/sexuality), families, power, and sport.

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide

Maxine Baca Zinn (University of Oregon, 1978) is Professor of Sociology at Michigan State University. Her books include: WOMEN OF COLOR IN U.S. SOCIETY (Temple University Press, 1984), GENDER THROUGH THE PRISM OF DIFFERENCE (Oxford University Press, 2005), SOCIAL PROBLEMS, Tenth Edition (Allyn and Bacon, 2005), and DIVERSITY IN FAMILIES, Seventh Edition (Allyn and Bacon, 2005).

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Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how a literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Chapter one focuses upon the artistic collaboration between Hubert Parry and Robert Bridges; chapter two explores how Charles Villiers Stanford consistently returned to Tennyson's texts throughout his compositional career; chapters three and four suggest how an orchestral drama by Granville Bantock might represent a close reading of a poem by Robert Browning, and how structure and imagery in a novel by Edward Bulwer Lytton might inform a reading of Edward Elgar's Piano Quintet op.84. The final chapter offers parallels between narrative strategies in Victorian travel literature (including works by Charles Dickens and George Gissing) and the nature of musical events in Elgar's concert overture In the South op.50. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth century British music, literature and Victorian studies will enjoy this thought-provoking and perceptive book. Michael Allis is Senior Lecturer in the School of Music, University of Leeds

• Sales Rank: #4945817 in Books
• Brand: Brand: Boydell Press
• Published on: 2012-06-21
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.10" w x 6.40" l, 1.60 pounds
• Binding: Hardcover
• 318 pages

Features

• Used Book in Good Condition

Review
(A) welcome work in this subfield of British musical studies. . . . Throughout his study, Allis is extremely thorough. His command of both musicological and literary studies bibliography is immense. . . . I have no doubt that each of the chapters will be valued by those who study British music as potential models for their own analyses. NINETEENTH-CENTURY MUSIC REVIEW A fascinating study . . . a book for the specialist with, furthermore, wide areas of specialism in both musicology and literary criticism . . . rewarding. SPIRITED MAGAZINE, ENGLISH MUSIC FESTIVAL Allis has opened up new paths for surveying British musical and literary traditions by bringing musical analysis to the foreground - a highly desirable contribution to a vast and engaging area of study, and one for which he deserves significant credit. JOURNAL OF MUSICOLOGICAL RESEARCH What a refreshing book! . . . (Allis) has consolidated five substantial case studies into an overall model of considerable scope, expertise and sensitivity where the treatment of Victorian and post-Victorian art music are concerned. CHOMBEC News Reading this book incubates curiosity. . . . Well-informed and carefully researched, yet approachable in style, the book invites a wide readership. MLA NOTES (T)his book offers a fascinating mirroring of both the composers and the writers and will serve as a valuable contribution to nineteenth-century studies . . . offers an impressive study. JOURNAL OF VICTORIAN CULTURE (T)his volume is a brillant tour de force. . . . His range of sources cited is remarkably wide, the depth of literary knowledge equal to the musical. ELGAR SOCIETY JOURNAL

About the Author
Michael Allis is a Senior Lecturer in the School of Music, University of Leeds

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Master of middle-grade adventure Roland Smith returns with a second installment in this fast-paced action series.

NARRATOR: Ramon de Ocampo
FORMAT: 3 CDs, Unabridged

Chase and his friends Nicole and Rashawn have just survived Hurricane Emily, the storm of the century, but their troubles are just beginning. Though they've made it to the safety of Nicole's family's farm -- the winter home of the Rossi Brothers Circus -- the flood waters are rising and they need to reach higher ground. The circus's lions have escaped their cages, and a mean and unpredicable jaguar is also on the loose. And then, of course, there's the problem of the wildlife preserve next door! Have Chase and his friends lived through a terrifying night only to face a new danger?

• Sales Rank: #3468383 in Books
• Published on: 2011-09-01
• Formats: Audiobook, CD
• Original language: English
• Number of items: 2
• Dimensions: 6.60" h x 1.10" w x 6.70" l, .45 pounds
• Running time: 9180 seconds
• Binding: Audio CD

Review
Praise for Roland Smith's Tentacles:

"A high-octane page-turner that will reel readers in and keep them riveted." — School Library Journal

"Smith's fast-paced story will capture the imagination of any action-loving reader." — BookPage

About the Author
Roland Smith first worked with animals at the Portland Zoo, and he has been involved in animal rescues and conservation work around the world for more than twenty years. He is the author of numerous books for young readers, including JACK'S RUN, ZACH'S LIE, CRYPTID HUNTERS, PEAK, TENTACLES, and the Storm Runners series. He is also the co-author of numerous picture books with his wife, Marie. Roland lives with Marie on a farm south of Portland, Oregon. You can find him online at www.rolandsmith.com.

Excerpt. © Reprinted by permission. All rights reserved.
From Storm Runners #2: The Surge

"Stay next to the wall!" Chase shouted. "I'll lead us to the edge of the building, then you can take over."
"There's a lot of water," Nicole said.
"I know, but the only higher ground is where your house is... or was. What's behind the house?"
"Woods," Nicole answered. "And a lake."
"How big is it?"
"Big. But it's never overflowed before, and our family has lived here for seventy years."
It's flooding now, Chase thought. Big time.

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• Original language: French
• Dimensions: 5.71" h x 1.38" w x 8.86" l,
• Binding: Paperback

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