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Artaria 195: Beethoven's Sketchbook for the Missa solemnis and the Piano Sonata in E Major, Opus 109 (3 vols.) (Beethoven Sketchbook Series
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A primary source for Beethoven scholarship revealing the creative processes of one of the greatest masters of musical art, this three-volume set makes available in print for the first time Artaria 195, the large-format sketchbook and central document for Beethoven's compositional activity during 1820. Artaria 195 includes sketches for two of Beethoven's masterpieces: the Piano Sonata in E Major, Op. 109, and the Missa solemnis, Op. 123. It also preserves Beethoven's work on the Bagatelles Op. 119, Nos. 7-11, and other unknown brief piano pieces. Beethoven's sketchbooks were his workshop. Capturing the methods he used to craft his ideas into art, they reveal his complex creativity and offer rich material for examining his revision process. Variations in his entries reflect the range of his musical moods and offer clues about the circumstances of composition. His notes and shorthand can illuminate the ways he expanded and refined ideas, clarify biographical or musical mysteries, or call attention to deliberate links between compositions. sketchbook, which will allow scholars to distinguish between shades of ink and pencil markings and discern layers of notations for Beethoven's works in progress. Beethoven's handwriting is fascinating, but also puzzling and idiosyncratic. William Kinderman has fully deciphered and annotated the sketchbook in the transcription volume. His analyses and discoveries are revealed in the separate book-length commentary, which serves as a guide for users as they compare the sketchbook with the transcriptions. Kinderman explores all other sources used by Beethoven while Artaria 195 was in use, and provides detailed inspection of the evolution and style of this remarkable music. New light is shed on the genesis of his last three piano sonatas, and revealing perspectives emerge on the psychology of his creative process.
- Sales Rank: #2776282 in Books
- Published on: 2003-06-04
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x 3.00" w x 12.00" l, 7.51 pounds
- Binding: Hardcover
- 396 pages
About the Author
Professor in the School of Music, University of Illinois at Urbana-Champaign.
Professor in the School of Music, University of Illinois at Urbana-Champaign.
Most helpful customer reviews
11 of 11 people found the following review helpful.
An excellent contribution to Beethoven scholarship
By A Customer
Prof. Kinderman has done Beethoven scholarship a terrific service with this beautiful set of three volumes; the facsimile is gorgeous, the transcriptions appear to be highly accurate and the commentary is both knowledgeable and insightful. Anyone interested in the development of Beethoven's late compositions, especially the Missa Solemnis, will want to have a copy of this first-rate set. Of all of the sketchbook transcriptions released thus far, this one stands head and shoulders above all the rest. As Project Director of The Unheard Beethoven, I've read a lot of Beethoven manuscripts and must say that Kinderman has done an excellent job of puzzling out Beethoven's often impossible handwriting and converting it into something that makes sense to the rest of us. The price is incredibly reasonable for the value that's here as well. I treasure my copy. Mark Zimmer
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